Gerrit Frohne-Brinkmann

Kunstverein Oldenburg, Oldenburg, 2022Kunstverein Oldenburg, Oldenburg, 2022

Earmouse, ABC, Hamburg 2022Earmouse, ABC, Hamburg 2022

Earmouse, ABC, Hamburg 2022Earmouse, ABC, Hamburg 2022

In the unlikely event of fire, Kunstverein Reutlingen 2020In the unlikely event of fire, Kunstverein Reutlingen 2020

In the unlikely event of fire, Kunstverein Reutlingen 2020In the unlikely event of fire, Kunstverein Reutlingen 2020

IMAGINE THE CITY, BACKDROP, Parkhaus Sandtorkai, Hamburg, 2020–2021IMAGINE THE CITY, BACKDROP, Parkhaus Sandtorkai, Hamburg, 2020–2021

Hard Boiled Egg, 2020 (unique edition)Hard Boiled Egg, 2020 (unique edition)

You-Know-Who, Kunstpalais Erlangen 2019You-Know-Who, Kunstpalais Erlangen 2019

Good Service, in collaboration with Emanuel Mauthe, 14a, Hamburg 2019Good Service, in collaboration with Emanuel Mauthe, 14a, Hamburg 2019

P-A-N-T-S-D-O-W-N, Dortmunder Kunstverein 2018P-A-N-T-S-D-O-W-N, Dortmunder Kunstverein 2018

Cave Art Comeback, Kunsthalle Bremerhaven 2018Cave Art Comeback, Kunsthalle Bremerhaven 2018

Paleo Quake, Kestner Gesellschaft Hannover 2017Paleo Quake, Kestner Gesellschaft Hannover 2017

WE HAVE A T-REX, artothek – Raum für junge Kunst, Cologne 2017WE HAVE A T-REX, artothek – Raum für junge Kunst, Cologne 2017

A New Low, Stadtmuseum Oldenburg 2017A New Low, Stadtmuseum Oldenburg 2017

Corpse Flowers, Nassauischer Kunstverein, Wiesbaden 2017Corpse Flowers, Nassauischer Kunstverein, Wiesbaden 2017

New Positions, Art Cologne, Cologne 2016New Positions, Art Cologne, Cologne 2016

Fossil Feast, Kunstverein in Hamburg (Performance) 2016Fossil Feast, Kunstverein in Hamburg (Performance) 2016

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In his multifaceted conceptual work, Frohne-Brinkmann examines the human condition by looking into the various forms of human interaction, conduct, creation and appropriation in relation to the environment. Looking at the intersection between early cultural forms and popular imagery, Frohne-Brinkmann is interested in conveying entertainment values into his visual art. Inherently questioning the human approach to cultural heritage, the work attends to the many ways in which humans would envision the world at different points in time. Serving from the existing, Frohne-Brinkmann’s work oftentimes looks deceptively real in order to address and overturn supposed certainties that can be found within the realm of various manifestations of representation. Frohne-Brinkmann creates a space of representation, which encompasses the high art of deduction and seduction taking into account the works identity as well as its narrative that is produces by its surrounding.

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